When Friedrich Nietzsche declared that “God is dead”, in no way did he imply that humanity give up on its quest for the enigma that haunts us all, the indescribable feeling of reverberating viscera. Glory is glory. Grace is grace. Always.
Movies have a similar effect on most people on this planet as their feign of emotion, challenge and journey strike the common chords that drive humanity. The escapism of entertainment is debatably necessary to keep us sane (or insane depending on which side of the debate you would find yourself). The power of the voice, the stage, the screen, is second only to the power of the audience.
With great power, as the old saying goes, comes great responsibility.
As an artform, movie-making is unique in that it requires the talents and skills of a few artists to a few hundred artists. The process of making a movie requires thousands upon thousands of manhours of not only hard work and great effort but also of training (years and years of training and learning from one’s experiences) and a focus of one’s character. Actors are actors because they have no choice. Writers are writers because they have no choice. Animators and set designers and cinematographers are what they are because, as artists, THEY HAVE NO CHOICE. Anyone with a muse is a slave to it, whether they like it or not.
However, you now no longer need to be an artist at all to create art. The years of training spent by such remarkable actors as Meryl Streep, Marlon Brando, Julianne Moore, Warren Beatty, Jessica Lange, Gary Oldman, Vanessa Redgrave, Om Puri, Catherine Deneuve, Toshiro Mifune, Liv Ullman and Sean Penn was all for nought. Their talents are now pointless. It is truly a Brave New World – NOVELTY, CELEBRITY, COMMODITY.
How did this happen? When did it all go amiss?
Today.
Hollywood died today and with it, all our self-possessed dreams of captivating the hearts of humanity.
A new website has reared its oh-so-ugly and malignant head today – www.whowantstobeamoviestar.com. The retarded brainchild of a “winning combination of industry professionals and major entertainment companies,” Who Wants To Be A Movie Star? asks the most self-indulgent question ever posed to the movie-going public – what is the price of your dream?
Through an affiliation with Yahoo Auctions, you (Yes! You!) can bid on and win “lead and supporting roles in a feature-length motion picture with guaranteed distribution”.
A press release issued by the film’s P.R. firm states that “Thomas Edison once said that genius is one percent inspiration and ninety-nine percent perspiration, and now we’re giving you the chance to prove it.” BULLSHIT! You (Yes! You!) are being given the chance to DISPROVE Edison. You don’t need to spend years of hard work and effort and PERSPIRATION learning how to hone your talent and skills. TALENT AND EFFORT ARE NEGOTIABLE. All it takes is money and a mouse click.
What exactly is a “winning combination of filmmakers, web experts, entertainment executives and business professionals”? Since the site only premiered this week, what exactly is it that this particular combination has won? Other than my f*cking wrath.
The “About Us” section of the website claims that “We will also have the satisfaction of making history by blending together the power of the Internet with the magic of Hollywood and creating something new and exciting.”
Oh my, where do I start?
The satisfaction of making history?! I make history every morning I wake up! I make history with every trip to the bathroom! I make history with every step I make, every breathe I take, every orgasm I fake! So do you, so does everybody. At this very moment, every person on this planet is making history. Are you satisfied?!
Is that the same “magic of Hollywood” that had one of the finest screenwriters of our time, Robert Towne, writing MI:2, the most awful piece of drek that has been force-fed to the movie-going public in the past year? Is that the same “magic of Hollywood” that is running scared from the industry-wide effects of The Blair Witch Project? You bet your ass it is. Keep running, fothermuckers.
Yeah, I want to create “something new and exciting” too. Let’s put on a variety show. I’ll get the funny hats. Shit or get off the pot! Or simply get off the pot (i.e. grass, marijuana, weed, spliff).
In the website’s “Partners” section, it states that WWTBAMS “represents a paradigm of collaborations between new media powerhouses and entertainment entities.” Wow, that sounds like such an attractive creative cesspool. Facelessness never sounded so good.
Who will the “lucky winner” be? Whoever you are, they’re going to give you the job and YOU’RE going to pay THEM.
I would like to take this opportunity to urge every rich and highly untalented bastard on the planet Earth to hike the bids as high as they can so that this “film” can die the horrible death it so generously deserves – by being as financially successful as it possibly can. Straight to Hell, boys; do not pass Go.
Stanislavski is dead. Long live Stanislavski.
Addendum: shortly after this was published, the director of WWTBAMS Tony Markes invited me to view some of the post-production process. I replied, accepting his offer, but I never heard back from him. I’m not sure what happened to the movie. Or its “stars”.