Simon Fraser (IV)

One morning ten years ago, I attempted to have a phone conversation before having had a cup of coffee.

John Fucile was on the other end of the conversation. Unable to piece together most of what I was uttering, John suggested that I never answer the telephone without first having had a cup of coffee at some point during the day.

I have abided by this rule ever since.

Here’s to another ten years. Hip! Hip!

I love the Internet for the opportunities it presents. An email I received:

On Fri, Jul 2, 2010 at 9:57 AM, Arkadiy Tumaykin wrote:

My reply:

Hello Arkadiy,

Thank you for your email and thank you for giving me the opportunity to help you.

I can provide you with a Canadian perspective to your question; some of these points might not apply in all parts of the world.

There are two ways to take part in theater, TV or movies – the hard way, and the harder way.

The hard way is that of what is usually called an “insider”. It relies primarily on the structure of the entertainment industry that is already in place.

The hard way involves many of the following :

- going to film or theater school for 1 to 4 years,
- working on other people’s poorly executed artistic productions for free,
- working at a job that has little to do with your artistic passion but at least it puts food on your plate,
- struggling to find an agent who can provide access to employment opportunities,
- competing with other artists for the very few opportunities that are available,
- networking with other artists to create opportunities for expressing your passion,
- dealing with personal insecurities when you are faced with 100 rejections for every 1 acceptance,
- endorsing products that you yourself would not purchase,
- trusting other artists,
- eventually, working on artistic productions only because they pay well, not necessarily because they create an artistic playground
- being hired by someone else for the same kind of role or performance over and over and over and over again
- possibly making your artistic expression your sole means of income
- being boxed, packaged and labeled by someone else as a brand and commodity

The harder way is that of what is usually called an “outsider”. It relies primarily on the structure that the artist creates for themselves.

The harder way involved many of the following :

- reading as much as you can about the history of any kind of art or form of media
- listening to as many DVD director’s commentary tracks as you can – I recommend Robert Rodriguez and Steven Soderbergh
- practicing everything that you learn,
- creating your own poorly executed artistic productions,
- learning from your errors, recreating the circumstances that led to those errors and making a different choice before the same error reappears
- working at a job that has little to do with your artistic passion but at least it puts food on your plate,
- networking with other artists to create opportunities for expressing your passion,
- building or joining a community of others with similar artistic intentions,
- dealing with personal insecurities when the community you’ve built or joined begins to outgrow you,
- trusting other artists,
- eventually, working on artistic productions that create a playground for those artists involved, though these productions might pay little, if at all
- feeling the joy of hiring, engaging or inviting another artist to express their own passions
- being able to make your choices before anyone else makes their choices
- possibly making your artistic expression your sole means of income
- boxing, packaging and labeled yourself as a brand and commodity

Either way is valuable and legitimate and both provide opportunities for you to express yourself.

Personally, having tasted both ways, I prefer the harder way. And I am a fan of any who follow it. Following the harder way is what creates the opportunities for other artists to follow the hard way.

Ultimately, the choice is yours.

One more thing : nobody tries to be an artist. If you create art – any kind of art – you are an artist. The audience that experiences the art you create decides for themselves what value to take from it.

spasiba,
sf

I just saw one bot on Twitter following another bot on Twitter.

Life is good.

To anyone who ever wonders what’s the point of the Internet …

Pete Hill is a friend of mine on Facebook, and real life too. On December 6th, Pete posted a link in his Facebook status to a video on YouTube called “We Got That B-Roll”. It had already received 5000 views at the time I watched it (one week after it had been posted).

I enjoyed the video and thought it would be a great to screen for a live audience at Pirate Video Cabaret on December 17th in Toronto. So I tracked down the director in L.A. and emailed him for his approval. He confirmed with the creative team that I could screen it and sent me a high-quality version with end credits added. And bam, I had 2 more minutes of hilarious video content to deliver to the audience on the 17th.

I predicted it would hit 100,000 views by today. I just checked, it’s at 125,219. I love being mildly accurate about something.

There’s 2 lessons here :

1. The Internet eliminates geographical barriers and provides a clearer picture of a population by its trends.

2. Your friends are the people that you listen to.

I found myself watching a YouTube video that I didn’t really want to watch and I clicked away from it. But because I’d watched the first few seconds of it, the recommendations that then appeared on my YouTube home page contained content similar to the video that I didn’t want to continue watching.

While this bit of automated programming functions if I’m enjoying the content, it did not today.

Watch out!